Archive for August, 2007

August-29-2007
Filed Under (Free Stuff, Typography) by Jase

 

Joachim Müller-Lancé of Typebox claims he was not under the influence of crop circles, Caspian folklore embroidery, or voodoo electronics when he created this font. He simply felt “a slight buzz and an urge to tinker with shapes”, hence the name “Tinka”.

// Download Tinka



August-28-2007

Rhondda Cynon Taff County Borough Council have just appointed us to create a brand identity and marketing materials for a new project called ‘Take pART’. An Arts based initiative which aims to increase participation in the arts and inspire and engage the local communities in the arts and cultural life of the County Borough.

Black Sheep took part in a 4-way creative pitch, in which, Cultural Services Arts Development Officer, Caroline Cowles said, ‘The Take pART Steering Group met yesterday to discuss the tenders received and your proposed ideas met the key aspects of our design brief’.

Look out for the results here over the coming weeks.



August-15-2007
Filed Under (Latest News, Misc) by Jase

Everybody here is really upbeat after hearing that one of our largest clients, Cadw, has just confirmed that the contract with Black Sheep will be extended by another year until the end of 2008.

We’re really pleased as it gives us further great opportunities to develop more new ways of promoting the cultural heritage of Wales’ leading tourism attraction.



August-15-2007
Filed Under (Misc) by Jase


August-15-2007
Filed Under (Free Stuff, Typography) by Jase


This month’s giveaway is Flemish Script, an ornate roundhand with looped ascenders and flourished capitals generously donated by Bitstream. For a similar script that shows the rough edge of the pen, see Anglia from PSY/OPS.

// Download Flemish Script



August-10-2007
Filed Under (Tips) by Jase

Assuming that you’ve sent in a CV (See tips archive for CV advice) and got an interview. Here are a some tips for getting your first job at a creative agency.
 
Do your research.
Wherever it is that you’re going? Find out about the company / people / their work, before you go. Otherwise how do you know if you’re going to like what you’ll be doing when you get there? Worse still, they ask you, “So what do you know about the company?”, you answer, “errrr- I was going to ask you”. Wrong answer, a little research goes a long way. It demonstrates your interest in the company and the fact that you want to work there. Plus, employers like nothing better than a little bit of flannel when it comes to their company, so ham it up!
 
Whatever happens, don’t be late!
If you can’t arrive on time for the interview, are you going to be in work on time?
 
Dress code?
Don’t overdress if you don’t have to, especially if you’re not comfortable wearing a suit, as you probably won’t have to wear one at work. You won’t feel comfortable in the interview and arguably won’t make the right impression. Check the form with the interviewer before you go, usually smart casual is fine.
 
Big isn’t always best
There are no hard n’ fast rules about this, but I think that big portfolios are cumbersome, bloody heavy and hard to work your way around when you’re in front of an interviewer. They put an uncomfortable space between you and the interviewer making it more difficult to really connect with each other and the interviewer engage in presentation of your work. Plus the weight of an A2 / A1 sleeve with mount board and the visual in it, usually means that when you open up your folio, the binder mechanism has opened and your sleeves fall all over the table. You start fumbling with it in a desperate attempt to hold it together, your sleeves are out of order, you’re flustered - not a great way to start.
A3 portfolios are more than big enough - you could even go to A4 if you’re brave enough.
 
Easier said than done
Try not to be nervous! If you’ve made it to interview, its a safe bet they like what you’ve sent them and its all done to whether you’re the right fit for the team.
 
Sell yourself!
Your ideas are your currency and we want to see you demonstrate this. It’s your work, you should be able to speak confidently about it. Sell the work as though you’re pitching it in to a client. As we’re looking to see whether you can present the work as well as produce it.
 
Good luck